Английский язык

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Английский язык, опубликовано 2018-08-22 18:37:31
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Английский язык, опубликовано 2018-08-22 18:37:23
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Английский язык, опубликовано 2018-08-22 18:37:22
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Английский язык, опубликовано 2018-08-22 18:37:18
Ребят я в английском вообще ни чего не понимаю поэтому прошу помощи. пожалуйста Вы получили письмо от вашего англоязычных ручку друг Джон, который пишет: ...На прошлой неделе моя мама ездила в Нью-Йорк, чтобы помочь своей тете с ее новым ребенком. Мой папа и мне пришлось делать всю работу по дому сами. Какие обязанности в семье у вас обычно, если на всех? Что бы вы приготовили для себя, если бы вам пришлось? Вы думаете, что мальчики должны уметь готовить и держать дом, и почему? В следующие выходные я иду в поход с одноклассниками... Написать письмо Джону.В вашем письме должно быть: - ответ на его вопросы - задать 3 вопроса о его планах пешие прогулки Напишите 100-140 слов. Английская версия You have received a letter from your English-speaking pen-friend John who writes: …Last week my mom went to New York to help my aunt with her new baby. My dad and I had to do all the housework ourselves. What kind of family chores do you normally have, if at all? What would you cook for yourself, if you had to? Do you think boys should be able to cook and to keep house, and why? Next weekend I’m going hiking with my classmates… Write a letter to John.In your letter - answer his questions - ask 3 questions about his hiking plans Write 100–140 words.
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Английский язык, опубликовано 2018-08-22 18:37:14
Помогите с качественным переводом. Пожалуйста. The most accomplished and the most influential English painter of the eighteenth century was Thomas Gainsborough. Until 1774 Gainsborough painted landscapes and portraits in various provincial centres before settling in London for the last fourteen years of his life. Although the elegant attenuation of his lords and ladies is indebted to his study of Van Dyck, Gainsborough achieved in his full-length portraits a freshness and lyric grace all his own. Occasional objections to the lack of structure in his weightless figures are swept away by the beauty of his colour and the delicacy of his touch. The figure in Mary Countess Howe, painted in the mid-1760s, is exquisitely posed in front of a landscape background. Gainsborough has expended his ability on the soft shimmer of light over the embroidered organdy of her overdress and cascades of lace at her elbows, sparkling in the soft English air; the only solid accents in the picture are her penetrating eyes. Although Gainsboroughwas country-born, his landscape elements seem artificial, added like bits of scenery to establish a spatial environment for the exquisite play of colour in the figure. In later life Gainsborough painted more freely and openly. Although his landscapes, which he preferred to his portraits, exhale a typically English freshness, they were painted in the studio on the basis of small models put together from moss and pebbles. Constructed in the grand manner of Hobbema, a seventeenth-century Dutch master, and painted with soft strokes of wash like those of Watteau, the Market Cart, of 1787, shows an almost rhapsodic abandonment to the mood of nature, which led to the great English landscapists of the early nineteenth century. Constable said that Gainsboroughs landscape moved him to tears, and contemplating the freedom and beauty of the painting of the cart and a boy gathering brushwood, not to speak of the glow of light seeming to come from within the tree in the centre, one can understand why